Good Morning Everyone!!!
Today, I have a fun surprise that I’d like to share with you.

I’ve teamed up with over 45  fantastic historical romance authors to give away a huge collection of novels, PLUS a KINDLE FIRE to one lucky winner! 

You can win my novel Song of Princes, plus books from authors like Margaret George author of The Confessions of Young Nero and Elisabeth Storrs author of The Wedding Shroud. I am so honored to be a part of this promotion. I wish you the best of luck and fortune!!
 
Enter the giveaway by clicking here: https://www.booksweeps.com/enter-win-50-historical-fiction-books-feb-17/

Good luck, and enjoy!
Janell Rhiannon

The book tour began a couple weeks ago, so I started biting my nails. It's a nerve wracking thing to just put your work out there and then wait, hoping someone will like it. After your book is done is probably the hardest thing for indie writers. You've spent months on this narrative, spent money on the village that helps you get it looking good, you upload it to your platform (we mostly use Amazon, because who doesn't use Amazon these days) and wait some more. You get the congratulatory email from the virtual giant and your book baby is published. And you wait some more. Then you think, "How the f*ck does anyone even know I did this thing that ate up all my spare time when I could've been dating, or having cocktails, or singing karaoke on the beach in an over-sized sweater..." [Let's be honest, I did all that except the dating part.  I can sum up everything I know about dating in my little pinky. ] My answer to this was: I NEED HELP!!!!  So, I hired Nicole and Giselle. Nicole is a virtual assistant to writers and Giselle runs Xpresso Book Tours. 

Nicole has helped me organize my random and wild thoughts. I start down some marketing hole and look back only to find, I've not written anything for a week and it's already the next week.  She helps me keep it together. Giselle organizes the touring of book excerpts, reviews and giveaways. This has been great. I wanted to acknowledge these fine woman for their contribution to my indie author life and getting Song of Princes (re-titled Song of Sacrifice) out there in the blog-o-sphere.

Song of Princes (re-titled Song of Sacrifice) is doing fine... I've listed a few link below where you can check out who said what. And much thanks, by the way, to these dedicated blogger/reviewers. Because Amazon has changed it's policies up, most of the reviews are on individual sites and/or on Goodreads (it has a 4.26 rating as of 10/10/2016). If you really like Greek mythology, a little sex (okay a lot at times), romance, battle, you will like this series. I'm happily banging away at the computer keys half way through the second installment...65,000 words and counting.

Zaheerah of Book Reader and Reviewer said:  "...What’s great about The Song of Princes is that it involves all the characters, rather than focusing on one. We see how one action of one character come to affect another and the events seam together effortlessly."
The Pursuit of Bookiness said: "...I am now a convert, hooked on this series and eagerly awaiting the next book.  Written in a style that is easy to read while at the same time pulling you in to the story.  A real page turner and a book I couldn't put down."
Married to Books Review and Blog said: "...Plenty of action, thrills and spills, the storytelling was very well portrayed in a world full of myths and legends. For action readers, lovers of Greek Mythology and historical fiction lovers, Song of Princes offers a rich, detailed story line into the lives of the Gods."
Hopelessly Devoted Bibliophile said: "Truth be told, I know that this is a series that many readers are going to love. I don't blame them one bit. It's tough to take something that's already a legend, and mold it to your own devices. Rhiannon has accomplished just that. Readers who love this kind of book, filled with fate and fortune, will likely fall in love with Song of Princes as well."
Liz Gavin said: "Being a huge fan of mythology in general – Greek, in particular – I started off Janell Rhiannon’s book with great expectations. Which she totally fulfilled and then some. As I said before, my standards regarding Troy were already quite high; but, Song of Princes knocked them into the stratosphere...Fast-paced story lines, poetically described settings, realistically developed characters. These are just a few examples of the book’s qualities. Mix them up with clever shifts of POVs and engaging dialogues, you’ll have an engrossing novel you cannot put down."
Fanatical Paranormal Romanitcal said: "I loved this book!!! ...I loved this book!!! After slogging through Homer’s “Odyssey” TWICE (once in high school and again in college), this is a much better telling of the ancient story. The author actually draws you into the story and makes you WANT to continue reading."
Taking It One Book at a Time said: "Any fan of Mythology, or Gods, will devour this book. Not only did the author provide you with a beautifully written fictional tale, she was able to intertwine facts elegantly within the story. There were no boring moments or lulls at any point during this story...in fact it was a whirlwind of excitement! Really quick, can we talk about how delicious this cover is too?? O-M-G! (I can only fantasize about what it looks like in person) Trust me when I say that the passion blasted all over this cover reflects throughout the book....and there isn't a speck of disappointment here."
Mama Reads said: "Rhiannon’s spin on these wild and exotic stories definitely nods to the commonly known tales while giving us an original epic fantasy with characters we can become wrapped up in and worlds full of wonders."

Thank you to all the bloggers and reviewers who took the time to check out the book, and also a huge level of gratitude to all the readers who bought it, borrowed it and read it as well!
***
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© Janell Rhiannon2016
Any information from this blog must be properly cited :)

In our modern American society, many Americans have a strange phobia about women baring a breast (and maybe a peak of a nipple) when it comes to breastfeeding. I personally find this a strange phenomenon. Breast feeding is the most NATURAL activity that a women can do with her boobs (okay, maybe it's also natural she hugs them when jumping up and down, or massages them after whipping her bra off...you get the picture). What are people afraid of when it comes to a mother breastfeeding her baby? Getting turned on?  Maybe breasts, heavy with milk, are a magical food source luring unsuspecting citizens into lascivious behavior, infidelity and acts of random rudeness. And just maybe, people should get a frickin' grip on their overactive imaginations and prudish attitudes. Watch this undercover video of Americans supporting and freaking out about a woman "breastfeeding" a baby...

Since human beings began populating the earth, women have literally been pulling a bare breast out and nursing their young. And, sorry America, it's what breasts were designed to do. In fact, the earliest carved (per-historic) statue of a human is the Venus of Willendorf figure, a woman, dating from 30,000 and 25,000 BCE. She has pronounced breasts and hips, emphasizing her femininity, hence her power through the ability to give and maintain life.

What does all this have to do with mythology, Homer and the Homeric Chronicles? According to the 2015 article entitled, "Breastfeeding in the Course of History,"  in the Journal of Pediatrics & Neonatal Care [JPNC], "In Ancient Mesopotamia and Ancient Greece, breastfeeding was of high value and one can find numerous references in mythology." And I agree with that based on what I've read in the Ilaid and Odyssey as well as other mythological and historical sources. In the ancient world, breast milk was considered sacred and nursing children was considered an essential and important part of a child's upbringing. The JPNC article delves into numerous examples of goddesses and women breastfeeding their babies. It's worth a read. The authors go on to talk about how only in the 20th century, when formula companies became en vogue, (and of course interested in making money) did the tide of public opinion against breastfeeding and mothers began to be and feel shamed by a natural and simple act.

Back to Homer and my point. One of my favorite scenes in the Iliad is when Hektor realizes he must face Achilles, and in doing so, most likely face his death. His father, King Priam, begs him not to go before the wall and fight the crazy Greek warrior. He laments that Zeus has cursed him because he's lost so many sons already, and now is poised to lose his eldest son and heir as well. Hektor's mother, Queen Hecuba joins her husband's lament and begs in a much more intimate way. In Book 21, she opens up her gown and pulls out her bare breast, weeping with the heart-ache she knows is coming, and begs Hektor to honor what she gave him from the beginning: life. By her bare breasts she beseeches her warrior son to give up fighting because that bond between mother and child is sacred, and worthy of honor. And it was her breast that symbolized that honor.

Throughout the Homeric Chronicles, Book One, Song of Princes I have used the motif of the breast and breastfeeding to symbolize the sacred connection between mother and child. It is an intimate and natural act. And when Hecuba is unable to nurse her second son, Paris, it breaks her heart. And that maternal pain is juxtaposed to the joy she felt with her first born, Hektor, and why she refuses a nursemaid for her subsequent children. Don't get me wrong, there is plenty of adult level sexy bits in this series (steamy, I think
@Benjaminoftomes said) but I have purposely left the breast on a pedestal.

When I first began toying with the idea...what if you could see the mythological stories surrounding the major figures of the Homeric tales (the Iliad and the Odyssey) in a seamless telling? The cast of characters is a celebrity Who’s Who in the world of ancient Greece: Achilles, Paris, Hektor, and Odysseus. But, you can’t begin to tell their stories without reaching beyond what Homer provides and dig into other mythological cannon to discover more about Helen, Hecuba, Cassandra, Andromache, Leda, Deidamia, Priam, Agamemnon, Menelaus, Tyndareus, Peleus, Thetis, and Chiron. Then, there’s the pantheon of gods and goddesses to contend with. The major heroes of Homer’s tales are entwined with other characters and to get a sense of how that’s even possible, I had to dig deep and make some choices.
 
I used the events of the Iliad and the Odyssey as the backbone of the chronological story. But after days of compiling data, I realized the task was much more difficult than it seemed. The original storytellers weren’t trying to make chronological sense of the various stories. The first glitch was the Paris and Helen myth. Everyone who’s familiar with the story assumes that Paris gives the judgment of the fairest to Aphrodite, who has promised him the love of the most beautiful woman in the world, Helen of Sparta. Soon after, Paris goes to Sparta and absconds with Helen and sails back to Troy. This widely held assumption is, well, wrong. Let’s examine why.
 
The golden apple event that occurred was at the wedding feast of Peleus and Thetis. These are Achilles parents. So, Achilles, the greatest fighter of all the Greeks has NOT been born yet. He’s the star of the Iliad. The Muse sings about his wrath, his undoing of character after Agamemnon humiliates him and his cousin and comrade, Patrokles, was killed. So, the judgment Paris gives about who the “fairest” goddess is takes place soon after the wedding feast, before Achilles is conceived or born. Bottom line, we have to wait at least 15 years for Achilles to grow up, get trained, and father a son BEFORE Odysseus can discover him on Skyros, dressed like a girl and call our hero into action. This means two things: Paris has to be at least 15-18 years old to be considered MAN enough to judge the female flesh; therefore, he’s 15-18 years older than Achilles. Most movies and books depict Paris and Achilles about the same age. But they can’t be. Paris is definitely his elder.
 
The other question in this story is: When does Paris meet and woo Helen? And how old is Helen? Paris couldn’t have taken off with her any time soon following the judgment because that would mean they’d be in Troy for years before Menelaus even tried to get her back. Even if you take the whole jaunt to Egypt bit seriously, that still leaves too many years in between the kidnapping and the attempted rescue. Remember, no matter what, Achilles has to be old enough to lead the Myrmidons (some sources say Achilles was 15 when he went to Troy. (I gave him a few more years to make it more plausible, using Alexander the Great as a close model. Alexander led his first troops into major battle, under his father’s command,  at Chaeronea at age 18). So, if Helen were already born and left with Paris shortly after the judgment, she’d be away in Troy for 15-18 years before Menelaus went for her because he’d have to wait for Achilles to be born and grow up. That makes no sense.
 
Also, there is the first kidnapping Helen endures by Theseus when she was just a young girl, probably pre-teen around 12 or 13. She’s the  hostage of the king of Athens, or rather his mother’s hostage, until she’s eventually rescued by her brothers, Pollux and Caster, and taken safely back to Troy. She is married to Menelaus shortly after this event to secure her safety and the safety of Sparta. Menelaus did not marry an old maid. Helen would have been about 15-18 years old. This is the young queen of Sparta who was seduced by a much older Paris. Their elopement/kidnapping is the precipitating event of the Trojan War. This is the dogma of the mythology surrounding Troy that we can’t alter. Therefore, Helen is most likely Achilles age. She would’ve had to been born about 15-18 years before the ships launch to rescue her. Achilles would’ve had to been born at least 15-18 years before he led the Myrmidons across the sea to Troy. Paris is in his 28-30 and Helen and Achilles are contemporaries at 15-18 years of age.
 
This means Paris has an entire life he lived as a man, long enough to be abandoned by Priam, raised by Agelaus, married to his first wife, a nymph named Oenone and to have a son with her named Corythus. He also had to be discovered by Priam and re-embraced as family. Then sent by Priam to rescue Hesione, Priam’s sister, who was kidnapped by Herakles...you get the picture. One thread wraps around another thread and so on. And yes, some times the “trying to make sense of it” turns what we think we know on its head.
 
I read a review of Song of Princes, by Nadine Paque-Wolkow, she said, in reference to the ages of Paris, Helen and Achilles, “...this may sound like a good idea so first, but I was nervous when Paris was still a child at 30% of the book. Then there was a small leap in time, Paris is now 18, but neither Achilles nor Helena are even born. I admit that I can not recite the dates of birth of all Trojan hero from the head, but in my head [it] is all messed up, just because I already (through books and films etc.) had a picture of all. Also, I glanced back to the percentage display...Half the book was almost already read! Helena was a baby and Achill[es] five at scarce 50%. Hector but already late twenties! And there are still decades until the big final battle of both the gates of Troy! For me, most people had therefore a completely wrong age and everything felt ... wrong and strange.” I think a lot of readers may also have this initial dissonance about the dates and timeline, because most films and books haven’t tried to put a logical chronology to the mythology. (I have a very detailed timeline in the front of the book.) I’ve tried to do just that. By leaving the seduction/kidnapping/eloping of Helen with Paris as the definitive catalyst of the war, it has made several other elements of the entire story sync together in a way most people haven’t thought of, or even entertained. That and there are the many fragments and other sources for these characters besides Homer that had to be integrated.
 
And if that doesn’t get your stars in a twinkle, think about this. The Iliad begins almost a decade after the ships disembarked from Aulis for Troy, making every hero and heroine ten years older when we read about them, than when they set out on the adventure. They are all full grown men and women by the time we see them in action in Homer’s tales. I welcome comments and questions. And again, I thank Nadine for her thoughtful and detailed review of book one of the Homeric Chronicles. It certainly made me get this blog about the timeline question out in a timely fashion :)
 
Here’s the link to Nadine’s original post. It’s in German, but you can easily translate it to English in Google Translate. Happy reading!!
http://meineliteratour.blogspot.de/2016/07/rezension-song-of-princes.html

If you enjoyed this post, give it a LIKE or a TWEET :) And by all means, SHARE :) If you'd like a heads up on future Big Ten Interviews or giveaways, join my email list. The only spam I like is with my eggs.
© Janell Rhiannon 2016
Any information from this blog must be properly cited :)

I wish I could date Achilles!! He’s strong, golden, fierce, HOT as f@ck and...a little bit ruthless. He’s the bad boy of Greek myth and the tragic hero of the Iliad (maybe this is what’s wrong with my love life!). As I began the Homeric Chronicles years ago, I realized that the story I wanted to tell was bigger than my skills at the time. I wasn’t ready. I had to get some writing under my belt, some serious reading done, and get over my fear of writing steamy sex scenes alongside gory battles scenes. I was AFRAID to write sex scenes!! Well, I’m not anymore. Needless to say, the Homeric Chronicles are for a mature reading audience.
 
I wanted this series to feel realistic, one epic story where several story lines of heroes and heroines converge at the Trojan War and beyond. This began the hair pulling task of attempting to piece together a timeline of events, because stories unfold chronologically with the occasional flashback and perhaps some subtle foreshadowing. The late George Shipway, author of Warrior in Bronze, a story about Agamemnon said in his chronological note to readers that, “...it would be a rash scribbler who ventured on definite dates.” Well, I am that “rash scribbler.” (Side note: the timeline he created is only 17 years ahead from mine, so we wrote in a similar mindset.)
 
Writing realistic mythology is tricky, especially Greek mythology because so many people are familiar with the major components of the stories. So, how does a writer approach the known with fresh content and a sense of realism? It’s bloody hard! First of all, I had no intention of twisting the major myth structure with some alternative endings, or creating a tertiary character, like a slave, to tell the main hero’s or heroine’s tale. I also didn’t want to simply regurgitate the Iliad and the Odyssey, because that’s been done before. What makes the Homeric Chronicles different from other Trojan War tales is that the series is an epic tale of Greek mythological heroes whose destinies take them to Troy and beyond, in chronological order. I used extant archeological data about Troy and Asia Minor and Greece, as well as scholarly literature to create the massive timeline. I had to use all my research training as an historian to get this off the ground. It’s an on-going effort to maintain the integrity of the chronological structure with a few surprises here and there. The Homeric Chronicles is, therefore, a combination of myth and history. I invite you to begin your journey with birth of Paris and Achilles in the Song of Princes, Book One of the Homeric Chronicles. Available in kindle and paperback @ Amazon.